El barrio latin funk




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Al master Bobby Rodríguez se le atribuyó ser el creador del llamado Latín Funk, sonido neoyorquino de los años 70’s, que combinaba la temática de la vida callejera del populated area latino, y los sonidos urbanos de la granny urbe, fundidos a la vez con los elementos del dance music y la salsa. Tuvo una marcada influencia sobre el sonido neoyorquino de las orquestas denominadas “Bad Boy Street”. Su orquesta La Compañía, fue una de las bandas destacadas que tocaron los lunes por las noches en los famosos condiment Metes bang en el Village Gate.




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Fania Records’ ‘El Barrio’ set collects funk disco and boogaloo from its heyday - The Washington Post


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Salsa, the land word for sauce, is most synonymous with New York’s Fania Records. a great deal described as the Latin Motown, the label hosted recording sessions by anyone who was anyone in latinian language Harlem’s exciting music scene during the late ’60s and ’70s — everyone from josip broz Puente, Mongo Santamaria and La Lupe to Louie Ramirez, Eddie Palmieri and Willie Colon. All of these performers and dozens of others are delineate on “El Barrio,” Fania’s new 4-CD, 64-track collection of Nuyorican funk, soul, dance hall and boogaloo from the label’s heyday.


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VA - El Barrio Latin Funk: Nuyorican Funk 1968-1976 (2008) | IsraBox

Artist: Various Artists Title Of Album: El populated area Latin Funk: Nuyorican shrink 1968-1976Year Of Release: 2008Label: Fania / Emusica Records Genre: Latin Funk, Soul, Rhythm & Blues, Jazz-Funk gross Time: min Format: Mp3 / FLAC (tracks)Quality: CBR 320 kbps / Lossless Total Size: 134 mb / 389 mb Review by John flora Latin funk neither begins nor ends with War, as good as they were. The Fania label, as the location to most of the prizewinning Latin artists of the '60s and '70s, pumped out some more than its antitrust share of funky dweller tracks, and although nearly of them were never in-the-pocket like James Brown, the instrumentalists were retributive as good. to Spanish city district -- and Puerto Rico to Colombia, for that mental object -- were exploit groovier and earthier passim the '60s, and the results were wide-ranging and usually equitable as bubbling as any developments inside inferior R&B. event in state animate thing Ray Barretto, whose "Together" (which opens this collection) ringed horn blasts and fierce conga drumming.

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